Sunday, June 8, 2008

We Sing, We Dance, We Steal Things



Jason Mraz’s first set of all-new material in nearly three years, WE SING. WE DANCE. WE STEAL THINGS. sees Mraz continuing to tread his own distinctive artistic path, melding a variegated musical tapestry with passionate, personal lyricism. Among the highlights are collaborations with British tunesmith James Morrison and singer/ songwriter Colbie Caillat.

"I’m Yours," the album’s first single, was chosen due to the undeniable fan response to the song. A demo version of "I’m Yours" originally appeared on a limited release bonus EP Mraz put out with his last album. Today the song is an online sensation, with hundreds of usergenerated videos from more than 25 different countries now appearing on YouTube. Jason will be hitting the road this April on the "Music, Magic & Make Peace Tour".

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From the first track to last Jason Mraz dazzles, perplexes and scintillates on his high-octane 3rd full-length studio album "We Sing, We Dance, We Steal Things." His witty, highly individual lyrical style and organic, powerful backing band transform these songs into four minute detours into the mind of the most underrated singer/songwriter of the 2000s.

Lead single "I'm Yours" finally lands on its feet after many years in Mraz's setlists with its mellow, Hawaiian grooves, complete with visions of obligatory surfers and pineapple drinks in the background. It's just a slice of what "We Sing..." has to offer, however. "Lucky" is a sparse, melodic duet with Colbie Callait that transitions aptly out of "I'm Yours," while "Make It Mine" and "Live High" are classic Mraz with feel-good, enrapturing melodies designed to sweep listeners clean off their feet. "Make It Mine" is particularly upbeat, full of hand-claps and lush, horn-laden instrumentation. It should be a single, and if it becomes one it should give Mraz his first major hit since 2003's "The Remedy" if radio programmers have even a neuron left in their heads.

The subject matter is diverse on "We Sing..." but Mraz never suffers from mood swings. "Love For a Child," by far one of the most touching compositions of his career, touches on the effect of divorce on a young child ("When the house was left in shambles/Well, who was there to handle all the broken bits of glass?") while "Only Human" promotes environmental awareness without playing the blame game. "Details In the Fabric" featuring James Morrison is a moody, meditative look at life, love and relationships, while "Coyotes" takes Mraz's sonic pallete in new directions with layered vocals, percolating snyths and an awesome background chorus. His operatic vocals from "Mr. Curiosity" from his last LP make an appearance here.

Other tracks continue the unparalleled quality. "Butterfly" is an awesomely-produced ode to sexual chemistry ("You make my slacks a little tight/You may unfasten them if you like/That's if you crash and spend the night") with effervescent instrumentation and a mercurial, vigorous melody. "If It Kills Me" finds Mraz pining through cheeky, self-deprecating lyrics about the lady who's got everything except the insight to see he's her best match ("We get along much better than you and your boyfriend") while "A Beautiful Mess" bookends the sentiments of "Details In the Fabric" with a more optimistic outlook.

The album's arguable highlight, however, is the curiously-titled "The Dynamo of Volition." Replete from wall-to-wall with Mraz's entrancing singing/rapping style, the song is like "O. Lover" or "Forecast" from 2005's "Mr. A-Z" is that it perfectly captures Mraz's unrivaled melodic weightiness. The lyrics spew left and right in haphazard fashion, but whether or not they are all understood makes no difference. "...Volition" is an exemplary Mraz tune, with a melody powerful enough to hang over the listener, the kind of melody that paints a picture like a scene from an indie movie, that haunts in such a way that it is instantly classic and unforgettable. It says more than any words ever could.

Mraz has that rare kind of talent that puts him in the category of legendary musicians, those musicians with such blazing, inherent talent that it is simply cannot be learned or created. Elton John, Billy Joel, Stevie Wonder come to mind as those types of dynamic musicians that were born with such astounding abilities, and Mraz has what it takes to join their ranks if only more listeners would wizen up and find out what some of us have been lucky to know for over five years.

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I really liked Waiting for My Rocket to Come (2002) and Mr. A-Z (2005), and after waiting three years, it's finally time for more Mraz

This is a great album filled with a mix of rhythms for any musical taste, and he had me hooked from first single "I'm Yours", a fun, reggae-based summer-ready track, with lyrics like:

"Well you done done me and you bet I felt it
I tried to be chill but you're so hot that I melted
I fell right through the cracks
and now I'm trying to get back
Before the cool done run out"

After that, try "Lucky" featuring Colbie Caillat, a breezy mid-tempo number that's extremely addictive. I have it on "repeat" as I type this. These two songs alone make the album worthwhile.

Also recommended are "Make it Mine" (jazzy with horns); "Butterfly" (funky, more horns); "Love for a Child" (soaring chorus, nice melody); "If it Kills me" and "A Beautiful Mess".

To quote from the ballad "Details in the Fabric" (with James Morrison):

"Hold your own
Know your name
And go your own way"

Let's hope Jason Mraz keeps on holding his own, and that we don't have to wait another three years for another album. Recommended to buy (not steal).

Rated: 4.5 stars

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Jason returns with a new voice after a soul enlightening tour including Hawaii and Australia where he dove into spiritual readings and the Hawaiian lifestyle. The lyrics of this new CD largely reflect those experiences in this introspective and personal album. Of the title, Jason says it best on his website: "What I love about mankind is that yes, we sing and we celebrate when we dance and we're foolish and we steal things. It's hard to have a new idea in music, in fashion, the land we walk on. It's all recycled. I think to say we stole it is a lot more fun."

Starting out the CD is "Make it Mine" with a retro 70's sound, lots of horn and lyrics that reflect his new perspective on life. In the same vein lyrically, he bolts out "Dynamo of Volition" with a lot of energy in classic Mraz style that early Mraz fans will definitely enjoy. In "Only Human" he is accompanied by his new funk retro sound as he reveals our human vulnerabilities.

"Lucky", with the talented Colbie Caillat making for a very nice match, has a subtle jazzy sound, and a beautiful blend of their voices. If you haven't checked out Colbie yet, you should. Ideal love transforms into something more carnal in the horn-fluttering retro funk song "Butterfly". The Jason sound we've come to know on previous CDs, this song delivers plays on words and tongue-twisting double-entendres that only Jason can turn.

He confesses tenderly his own past in "Love for a Child", a song about growing up too fast. "Details in the Fabric" is an emotionally gripping call to hang in there through the tough times. The lyrics of "Coyotes" belie the story of predatory search for love in NYC. Given the subject, it makes me scratch my head that he has a childrens chorus singing backup but is rescued by its very dynamic sound with his rapping style, operatic touches and at times Sting-like sound.

The four songs which I consider to be the crème de la crème of the CD are also on the EP "We Sing" as versions from different sessions. Those include the upbeat reggae sound of "I'm Yours", a tune already an online hit; his anthem "Live High"; the light-hearted pop ballad, "If it Kills Me" in which is he almost sounds a bit like Paul McCartney; and the melodic and nostalgic story of "A Beautiful Mess".

He is back rapping for "Mudhouse/Gypsy MC" live on the EP CD "We Steal Things", along with alternate cuts for "Love for a Child", "Coyotes", and "Man Gave Names to All the Animals".

The third EP CD "We Steal Things" contains excellent alternate cuts for "Make It Mine", "Butterfly", "Only Human", and "Dynamo of Volition".

More like Mr. A-Z than his first CD, "We Sing, We Dance, We Steal Things" largely has a melancholy introspective vibe. I think this CD will actually appeal to an older audience with its mostly mellow retro funk sound and revealing personal lyrics. Kenny Loggins fans will find some common ground there. Mraz is definitely stepping away from his safe pop platform and stepping out in a new direction musically. Here's to clear waters! Regardless of the stylistic changes he incorporates in the new CD, I think all fans will be happy with the "We Sing" EP CD and highly recommend it by itself with 5 stars. We all need a little Mraz in our ear.

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